Tc-helicon VoiceWorks Plus Manual Manuel d'utilisateur télécharger pdf (Page 36)

to use to set delay times. These include setting the

exact delay time for the left and right delay lines

manually(Time), tapping the Data wheel in time with

your music to have the times calculated

automatically(Tap), or the unit can be set to derive it’s

delay times from incoming MIDI clock signal(MIDI).

L-DelTime-R: (Left and right manual delay times) These

settings are shown when the Src is set to Time.You may

set up to 1800ms (1.8 seconds) of delay for the left and

right delay lines here.

Tempo:This setting is shown only when Tap or MIDI is

selected for the Src parameter.There is one setting for

tempo in beats per minute (bpm) that is used to derive

delay times for both the left and right delay lines that

is then subdivided by the division set in the next

screen.

L - Beat Div - R: (Left and right beat division) When the

Src is set to Tap or MIDI, turning the Data wheel will

reveal this screen allowing you to divide the delay

tempo into even or synchopated beats.

D2: Delay feedback and cross feedback amounts

FBL, FBR: (Feedback left and right) Re-introduces a

portion of the audio output signal of the Delay block

back to the input to add repeats.

XFL, XFR: (Cross feedback left and right) Cross

feedback returns the delayed audio to the opposite

side’s delay line for ping pong type effects.

D3: Low band filtering

LowCutL, LowCutR: (Low cut left and right) Reduces

low frequencies from the audio delays to constrain

them to a specific band.

D4: High band filtering

HiCutL, HiCutR: (High cut left and right) Reduces high

frequencies from the audio delays to constrain them to

a specific band.

Reverb block editing menus R0-R3

Reverb is the arguably the most common vocal effect .

It can add a spaciousness that softens the abrupt

beginnings and endings of lyric phrases. Many reverb

types are meant to imitate the natural sound of spaces

like churches, clubs and halls but not all. Some reverb

effects are recreations of electro-mechanical effects

meant to imitate real spaces like plates and springs.All

reverbs are made up of early reflections (rooms), and

the longer reverberant sounds (tails). Common

controls are the level of the room (Room Level), and

the level and decay of the tail (Tail Level, Reverb

Decay). Additionally, a small delay can be added

between the dry voice and the reverb signal (Predelay)

that adds clarity by briefly separating the dry voice

from its reverb. By far the most important control for

reverb is the level. One reverb patch can have a very

different result for the audience whether it is mixed

subtly, or up front in the mix.

R0: Reverb Style (Reverb style selection)

Use the soft knob assigned to this parameter to

choose a reverb style you like.

R1: Decay time and predelay settings

DecayTime: (Decay Time) Sets the length of the reverb

tail.

PreDly: (Predelay) Introduces a short delay between

the dry audio signal and the onset of reverb to simulate

larger spaces and to improve the audio separation

between the dry signal and the reverb effect.

R2: Reverb tail filtering

LowColor, HiColor:These are preset filters that tailor

the low and high frequency response of the reverb

tails.

R3: Room and tail level balance

RoomLev: (Room level) Each reverb style has a pre-

configured short initial reflection sound that can be

boosted or attenuated with this control.

TailLev: (Tail level) The “tail” is the long, decaying

component of reverb.You can adjust the mix between

the tail and the room with this control.

REVERB, MOD AND DELAY EDITING

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Tc-helicon VoiceWorks Plus Manual Manuel d'utilisateur Page 36

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