Tc-helicon VoiceWorks Plus Manual Manuel d'utilisateur télécharger pdf (Page 35)

scientific symbol for micro).The Mod effect is capable

of creating many different sounds that range from

subtle but lush thickening to creatively destructive. It

uses a combination of stereo pitch shifting (Detune),

small amounts of stereo delay (Delay), and then a

complex path of filtering, feedback, and modulation.

Mod does a faithful job of emulating classic detune,

chorus, flange and thickening sounds.

M0: uMod Style: ( Mod style selection)

Use the soft knob assigned to this parameter to

choose a Mod style you like.

M1: Detune amounts

LDetune, RDetune: (Left and right detune amounts).

You can apply a small amount of pitch shift to the left

or right sides independently. This setting is shown in

cents and the maximum is +/- 25 cents.

M2: Modulation rate and depth

Speed: (Modulation rate).This setting sets how fast the

delay time modulation occurs. In order for this to be

audible, the depth amount parameter has to be non-

zero.

L-Depth-R: (Left and right modulation depth) Sets the

percentage of modulation of the delay time for the left

and right delays.

M3: Left and right delay times

DelayL, DelayR: (Left and right delay time) Sets the left

and right delay times. Up to 80 ms of stereo delay is

available here to create effects from flange to slapback.

M4: Feedback amounts

FBL, FBR, (Feedback left and right) Re-introduces a

portion of the audio output signal of the Mod block

back to the input to create flanges, tube and chorus

effects.Values above 90 add a high amount of gain and

cause distortion and high audio levels.

XFL, XFR (Cross feedback left and right) XFL and XFR

indicate cross feedback for the left and right delay lines.

Cross feedback returns the delayed audio to the

opposite side’s delay line for ping pong type effects and

more.

M5: Modulation phase and waveform

Phase (Modulation phase) This parameter defines the

phase relationship between the left and right

modulation LFOs (oscillators). In a flange style, setting

this to 0 degrees puts all of the effect in the center

while setting it to 180 degrees pulls the effect far into

the stereo field.

Wave (Modulation waveform) You can choose the

modulation waveform from Square,Triangle or Sine to

vary the periodic nature of the modulation effect.

M6: Low band filtering

LowCutL, LowCutR (Low cut left and right) These

steep highpass filters allow you to reduce the amount

of low frequencies sent to the Mod block.

M7: Feedack high band filtering

HiCutL, HiCutR: (High cut for left and right) These

steep lowpass filters allow you to reduce the amount

of high frequencies sent to the Mod block.

M8: Phase adjustment

OutPhase Inverse: (Output phase inversion) This

setting puts the output of the left and right sides out of

phase, creating more 3D sound space around the

effect. Note that this may potentially limit the effect’s

ability to collapse to mono.

Delay block editing menus D0-D4

The delay effect is a configurable echo.You can control

how far apart the echoes occur (Delay Time), and

whether the echoes fade out quickly or slowly or build

on themselves. In addition, there are filtering and

stereo controls that allow you to create many popular

delay sounds. Delays can be typically be categorized

into the two listed categories below:

Short Delays:

- Initial reflections

- Slaps

Long Delays (the maximum stereo delay is 1800ms)

- Mono taps

- Stereo taps

- Syncopated taps

- Ping-pongs (delays travelling from left to right)

D0: Delay Style (Delay style selection)

Use the soft knob assigned to this parameter to

choose a delay style you like.

D1: Delay time input source and time/tempo

Src: (Source from which to derive delay time)

Determines which one of the three methods you want

REVERB, MOD AND DELAY EDITING

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Tc-helicon VoiceWorks Plus Manual Manuel d'utilisateur Page 35

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